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"I have heard so. I should like to see the library," says Paul, looking at her expectantly. "You are hurt!" interrupts he, with passionate remorse. "I see it all now. Stepping into that hateful stream to save me, you injured yourself severely. You are in pain,—you suffer; whilst I——" It is an old song she chooses, and simple as old, and sweet as simple. I almost forget the words now, but I know it runs in this wise:.

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No one answers; the very moanings of the old crone in the chimney-corner are hushed as the clear young voice rings through the house, and then stops abruptly, as though its owner is overcome with emotion. The men move back a little, and glance uneasily and with some fear at her from under their brows. "Of course you must come here," says Lady Rodney, who is afraid of the county and what it will say if it discovers she is at loggerheads with her son and his bride. But there is no welcome in her tone. And Geoffrey, greatly discouraged, yet determined to part friends with her for Mona's sake,—and trusting to the latter's sweetness to make all things straight in the future,—after a few more desultory remarks takes his departure, with the understanding on both sides that he and his wife are to come to the Towers on the Friday following to take up their quarters there until Leighton Hall is ready to receive them. "Let her thry," says old Brian, in his soft, Irish brogue, that comes kindly from his tongue. "She's mighty clever about most things." She waits apparently for an answer, at which Mona grows desperate. For in reality she has heard not one word of the labored speech made to her, and is too frightened to think of anything to say except the unfortunate lesson learned in the carriage and repeated secretly so often since. She looks round helplessly for Geoffrey; but he is laughing with his brother, Captain Rodney, whom he has not seen since his return from India, and so Mona, cast upon her own resources, says,—.